Lesson #2: Put Passion in the Driver’s Seat
This is part two of a series titled 6 Life
Lessons Playing Piano Taught Me.
“Those who
have a why to live can bear with
almost any how.” -Victor Frankl
When I was
eight years old my mom took me to my first and only childhood piano lesson. At
that age I wanted to spend all my time playing outside, and the idea of practicing indoors every day didn’t sit well with me. I begged my mom to let me
quit, and I’m so glad she listened. While I didn’t enter adulthood with
well-developed piano skills, I was able to approach the study of music on
my own terms when I was ready. I recognize that parental philosophies vary widely when it comes to children and music lessons, but because it was my choice to play I
felt free to forge a new path that was perfectly tailored to my strengths and
interests. Given the choice, I’d take passion over skill because when passion
drives, pursuing proficiency becomes pure pleasure.
If
something other than passion ends up in the driver’s seat, the desired results may not materialize. Rigor, discipline, hard work and persistence are
admirable qualities that can be developed while learning to play an instrument, but on their own they may lead to burnout. Without joy, playing becomes empty
and ritualistic—all head and no heart, hardly worthy of being called “play.” There
are obvious benefits that can come from activities such as learning theory or playing scales and exercises. For those seeking the highest levels of mastery, such endeavors are indispensable. But
if these activities are overemphasized, particularly in the early stages of learning before students have discovered their talent and preferences, boredom, resentment and rebellion can
result.
I’ve
created external reward systems for my younger piano students to keep them
motivated to practice, but at some point music must become its own reward otherwise it will
cease to be pursued. I recognize that not every second of every practice session will feel like a trip to Disneyland. Sometimes there will be songs that
students won’t like, difficult concepts to master and moments of frustration. But every effort should be made to enhance and customize the experience to each
person’s interests. For this reason I've compiled a large repertoire of graded music in classical,
pop, blues, holiday, new age and jazz genres to satisfy a variety of tastes. My goal as a teacher is to
keep my students playing for as long as possible, ideally for their whole
lives. Tapping into what they already enjoy or can quickly identify with is the
single most powerful weapon in my teaching arsenal.
During my
early years as a pianist, when I felt very uncomfortable performing in front of
an audience, I discovered that leading with passion could help me overcome my
fears. I developed a repertoire of songs I loved so much that I wanted to play them for others despite my insecurities. I also kept my favorite
piano music in the car where it would be available if I found myself with an
unexpected opportunity to perform. Each year at my family’s Thanksgiving and
Christmas celebrations I prepared a few songs to perform, and I also began playing
prelude music at church. Later I volunteered to play at rest homes, and these positive experiences bolstered my confidence as a performer.
There were
negative experiences, too. I wanted so much to be reliable and consistently good,
but getting there was a long process. One time I was accompanying my violinist daughter at church and the
air conditioning came on during the performance, blowing two of my music pages
off the piano. Someone noticed and dove for them, putting them back up in time
for me to keep playing. But my confidence was shaken and it wasn’t my best
performance. Another time I joined an organist for a piano and organ duet. I became
so flustered during the performance that I dropped out entirely, turning it into an
organ solo. If I hadn't loved music so much I might have allowed myself to be defeated
by these failures.
When I was
in the beginning stages of playing, a trip to the music store could be quite discouraging.
The word “easy” often appeared on the front cover of music books, but those supposedly easy songs were still quite difficult for me. After I began to move beyond the basics, however, discovering new music was
a delight. I started playing through entire books and
marking the best songs, which did wonders for my sight reading skills. And I
discovered that when I was passionate about a particular piece, doing the hard
work required to play it well was a joy rather than a burden. The key was to
find songs I could learn with a few weeks of focused practice.
There is a
system for learning piano music that is quite effective. When my more experienced students learn and use this system it can take them from mediocrity to
excellence in a surprisingly short time:
1) Divide a song
into short sections of about four measures each.
2) Set a
tempo goal and a tempo starting point. The tempo goal could be 120, for example,
and the starting point could be 80.
3) Practice
with the right hand by itself while keeping time with a metronome.
4) Practice with
the left hand by itself while keeping time with a metronome.
5) Play with
both hands together while keeping time with a metronome.
6) Increase
the tempo.
7) Repeat steps 3 through 6 until the goal tempo is reached
and each section can be played correctly with both hands. The first tempo increase could be from 80 to 100, and the second could be from 100 to 120. Or for a more gradual learning curve the tempo could be increased from 80 to 90, then 90 to 100, 100 to 110 and finally from 110 to 120.
This system
works best when a song is enjoyable and worth the effort required to learn it
well. Otherwise it’s simply drudgery.
There are
systems in life as well: tried and true principles that can enhance anyone’s
ability to manage money, build a business, lose weight, find a better career or
improve their relationships. But it’s not always easy to discern between systems
that work and systems that don’t. Furthermore, when I find a system that works
it’s not always easy to stick with it. And success is a moving target: what
made sense for me three years ago might not make sense today. It’s a constant struggle to
keep things in balance, and to find the happiness and success I’m seeking in a shifting and
dynamic world.
Fortunately, passion plays a key role in my life, cutting through the noise and leading me to
continually seek purposeful pursuits and positive interactions. As I develop a conscious awareness of what consistently makes me feel
most alive and fulfilled, it can point me to my passion. And as I regularly make choices that
bring me closer to what I most enjoy, I can significantly increase my satisfaction
with life.
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